Judas Priest Are Almost Invincible with This Shield
Judas Priest are synonymous with classic metal, even if recent releases are less memorable, their music still pulverizes most of the competition.
Judas Priest are synonymous with classic metal, even if recent releases are less memorable, their music still pulverizes most of the competition.
On their first album in seven years, Allentown, PA’s Pissed Jeans return with a short, savage, scathing and often hilarious takedown of the modern world.
Ariana Grande has come into her own by embracing the parts of her creativity that resonate most with her ardent fanbase and being true to herself.
On Sacred Garden, Logan Richardson proves that he remains one of the most essential artists in every conversation about jazz’s present and future.
Steve Hackett proves he’s still a force to be reckoned with in progressive rock. He delivers an album worthy of his legacy while pointing to the future.
Iron Maiden singer Bruce Dickinson overcomes creative and personal struggles on his first solo album in 19 years, The Mandrake Project.
Among the considerable pleasures of the new James Brandon Lewis quartet record is how it insists on expanding how we think about the leader himself.
Mannequin Pussy continue to explore a spectrum of intensities, pinballing between two extremes and finding the group in their most mature and polished form.
The Black Crowes’ Happiness Bastards gives us ten good reasons to believe that rock and roll is still a long way from the graveyard.
Americana/country singer-songwriters Kelly Willis, Melissa Carper, and Brennen Leigh team up for the Wonder Women of Country and release their first EP.
Bleachers finds its primary strength in its serenity. Gentle moments of introspection about love’s redemptive power illuminate some of the brightest moments.
Rock guitar virtuoso Mary Timony’s Untame the Tiger is a clear–eyed, unsentimental, top-shelf record that emerged during hard times.