
The Immanent Transcendence in Mascha Schilinski’s ‘Sound of Falling’
Mascha Schilinski’s Sound of Falling operates in the language of the unconscious, which is the language of the dead. The viewer must invite the dead into each present moment.

Mascha Schilinski’s Sound of Falling operates in the language of the unconscious, which is the language of the dead. The viewer must invite the dead into each present moment.

Guillermo Stitch’s metafiction The Coast of Everything is the sort of book that makes you feel simultaneously more intelligent and more illiterate.

Every brick in Pink Floyd’s The Wall shows that haunting lies not in wailing and chain-rattling but in trauma, alienation, and absence.

While Nietzschean themes haunt the Harry Potter series, J.K. Rowling conveys her morality tale of the Übermensch.

In episodes from SpongeBob SquarePants and South Park, risk-taking is rejected, leading to psychosis and isolation, or it becomes an an ideology, leading to destruction and absurdity. A degree of risk-taking, however, is essential for a healthy society.

Vigilantism is central to Daredevil: Born Again, but what does our fascination with the antagonistic vigilante reveal about us?

The Illuminist: Philosophical Explorations in the Work of Alan Moore investigates the convictions and contradictions of the Great American (Graphic) Novel writer who is neither American nor a novelist.
In Understanding Ignorance, philosopher Daniel DeNicola invites us to explore the meaning and implication of what we don’t know, which may be as complex as knowledge itself.
Walter Benjamin Stares at the Sea plays with postmodernism, autofiction, philosophy, and a short story canon peopled by writers from Augustine to Raymond Carver.
The tighter we cling to any aspect of self-identity, the more we suffer and the more vital it becomes to release our grip.
The Albert Camus of Travels in the Americas diaries is a passionate, despairing reckoner with the struggles of earthly existence, both personal and societal.
Rick Rubin’s The Creative Act is, as his rap often was, minimalist and maximalist – musically austere but lyrically extravagant and self-aggrandizing.