As she attempts to shed the weight of her past, Demi Lovato embraces every part of herself and creates some of her most unapologetic music to date on Dancing With the Devil.
Alanis Morissette’s Alanis remains an important record because it kickstarted the career of a brilliantly talented artist who has made an incredible mark on popular music.
Fleetwood Mac’s Live sounds better than ever, giving both longtime fans and newcomers a stronger glimpse into how immaculate they were at the turn of the decade.
There’s a lot to appreciate in Hey, King’s lyrics, the duo’s harmonies, and the sometimes-subtle details of their arrangements.
On Together and Alone, Bad Keys of the Mountain pack plenty of hooks and a wide range of influences into their country/rock sound.
This is a Beatles list of the nearest things in the most overexposed catalog in popular music history to “deep tracks”.
Low Cut Connie’s Adam Weiner has much on his mind: how to fix the industry, how to find his creative inspiration, and how to get back at Trump’s ruining of his beloved Atlantic City.
While reminding us that he has always been more sonically interesting on his own, Nick Jonas’ attempts at deeper emotion and thought fall flat on his new solo LP, Spaceman.
The Blips’ “Walking Home” is a powerful blast of pop from members of Vulture Whale, Bad Hops, Holy Youth, and others. Their debut album arrives on 9 April.
It took over 40 years, but One in Wins finally places the Fabulous Knobs' Jack Cornell center-stage, and it was well worth the wait.
Fresh out of gimmicks, Weezer think outside the box and deliver their most sincere album in years with OK Human.
