
Charli XCX’s New Album Is a Celebration of the Working Class
Charli XCX, now on her seventh record, pursues the continuum of human feelings and flairs. This may be the most humane entry yet in the grand canon.

Charli XCX, now on her seventh record, pursues the continuum of human feelings and flairs. This may be the most humane entry yet in the grand canon.

Alex Cameron’s Late to Set rewards repeat listens with evocative storytelling, emotional ambiguity and impeccable pop craftsmanship.

Nia Archives’ new album captures a gifted artist and producer as she transcends her influences, claiming and reveling in her own bewitching style.

Music, Fashion, Film is Charli XCX desperately trying to find something that feels cool, risky, and exciting to her after having her original vision of cool co-opted.

MISSIO’s Love & Heartbreak should be regarded as an art installation by its own terms, measurements that do credit to the furnished piece.

Paul McCartney’s newest EP, The Boys of Dungeon Lane, uses sound to vividly paint ordinary moments, both real and imagined, into memorable stories

While it includes some fresh autobiographical details, Niall Horan’s Dinner Party is a rehash of boy band tropes.

On his fifth album as Bleachers, everyone for ten minutes, Jack Antonoff uses a comfortable sonic space to make a new statement about fame.

Can Paul McCartney’s so-called easy-listening bend, which began with “Hello Goodbye” and peaked in the 1970s, be another kind of greatness? Maybe so.

Serving as a bridge between the 1960s and ’70s, Graham Nash’s “Teach Your Children” makes a startling statement in complete contrast to the 1960s ethos: you “must have a code.”

A long-running feud stemming from a 1990s love triangle seems to have cooled off as Tori Amos name-checks Courtney Love in her new single, “Shush”.

Although Holly Humberstone ends her new album on a signature sad note, Cruel World has a promising tone that shines through the clouds.