Claire Denis' masterwork of cinematic poetry, Beau travail, is a cinematic ballet that tracks through tone and style the sublimation of violent masculine complexes into the silent convulsions of male angst.
Sinuous camera moves and stylish direction, endings that surely wouldn't have flown after the Code crackdown: four pre-code talkies from Cecil B. DeMille, Phil Goldstone, Victor Halperin, and Stuart Walker.
Arriving amidst the exhaustion of the past (21st century cultural stagnation), Waititi locates a new potential object for the nostalgic gaze with Jojo Rabbit: unpleasant and traumatic events themselves.
As with Da 5 Bloods, Spike Lee's films are replete with experimental aesthetics that deconstruct the conventions of (white) Hollywood and re-frame and re-contextualize Black lives and Black history.
Spike Lee's Da 5 Bloods engages with the notion of perpetual conflict. But how well does it fit into the current social milieu of demonstrations against police violence?
While philosopher Stanley Cavell endeavors to show that we must mean what we say in a very important sense, Godard's Bruno Forestier of Le Petit Soldat suggests that we simply cannot and must not mean what we say.
The character's in Claude Chabrol's The Third Lover, Line of Demarcation, and The Champagne Murders are obsessively doubled and mirrored, reflecting and refracting their hunger for sex, love, money, and power.
Are fantasies mixed up with memories in Jan Němec's film adaptation of Arnošt Lustig's autobiographical story of surviving WWII, Diamonds of the Night (Démanty noci)? Will these babes forever be in the woods?