LFF’22: The Dardenne Brothers on the Life-Affirming Friendship in ‘Tori and Lokita’
The Dardenne Brothers, Jean-Pierre and Luc discuss moving beyond the label of “unaccompanied immigrant” in their humanist immigration drama, Tori and Lokita.
The Dardenne Brothers, Jean-Pierre and Luc discuss moving beyond the label of “unaccompanied immigrant” in their humanist immigration drama, Tori and Lokita.
Director Santiago Mitre discusses how his fear for democracies worldwide motivated him to dramatise the Trial of the Juntas in the courtroom drama Argentina, 1985.
Director Philip Barantini’s one-take drama Boiling Point explores the tipping point the modern “rat race” is pushing us toward.
Terence Davies’ Benediction effectively evokes wartime suffering via British World War I poet and author Siegfried Sassoon’s story.
Michel Franco’s Sundown, which played in competition for Best Film at the BFI London Film Festival, is an exploration of masculinity in crisis. Or is it?
‘Playground’ (‘Une Monde’), winner of the Sutherland Award for Best First Film at BFI LFF 2021, approaches schoolyard bullies like a wildlife biologist.
In Hit the Road, which won Best Film at the BFI London Film Festival 2021, the silence between the family members carries the weight of their powerlessness.
Harry Wootliff’s ‘True Things’ is a timely exploration of the broken foundations upon which the Conservative Government wants to “Build back better.”
The Alleys, in the First Feature Competition at the BFI LFF, criticises societal structures that use guilt and shame to control through conformity.
The curiosity-driven Memory Box, playing at the BFI London Film Festival 2021, explores the role of memory and the lasting impact of the Lebanese Civil War.
If The Prince of Nothingwood will popularly be remembered for celebrating the creative spirit of its star Salim Shaheen, it is equally an important communication on Afghanistan, it's culture and its people.