
Lemonheads’ Evan Dando Authors His Addictive Hooks
Lemonhead Evan Dando’s long-awaited memoir is an engaging, sometimes harrowing, trip through the 1990s alternative rock boom.

Lemonhead Evan Dando’s long-awaited memoir is an engaging, sometimes harrowing, trip through the 1990s alternative rock boom.

Power pop acolyte Ryan Allen’s latest record showcases his mastery of the genre. He discusses how his solo releases differ significantly from his band work.

The Lemon Twigs may suffer from retro pop syndrome, but every nostalgic reference has an unexpected deviation, every familiar melody is twisted and turned into uncharted territory.

Mike Delevante is a craftsman. These songs are deceptively simple in their language, describing the interplay of thoughts and emotions one has being in the moment.

Sharp Pins’ aesthetic feels like an attempt to keep analog alive in a digital world: get your hands on a zine, fill out a form, send cash, and receive a tape in return.

The Tubs’ Cotton Crown deals with darker themes about love, loss, and failure despite their penchant for sunny jangle pop sounds.

With Up on the Hill, Otis Shanty have taken the guitar-based, dream pop template and reinvented it beautifully for a new era.

Girl and Girl’s Call a Doctor nearly delivers as a concept yet still captivates with its jangle pop charm. They should be a band we follow for years to come.

Robyn Hitchcock’s memoir 1967 taps into the music high that untethered the restraints of boarding school and shaped his life and music for eternity.

Dehd exude a youthful charm that is hard to replicate on Poetry. They are infectious and their sunny melodies and sincerity make their music compelling.

The Lemon Twigs’ A Dream Is All We Know displays scholarly mastery of the complex techniques their forbears invented. The sheer musicality is prodigious.

Daniel‘s “brand-new old-fashioned” version of Real Estate is totally workable but is also a reminder that the old-fashioned stuff was better.