In the Russo Brothers' Captain America: Civil War, friend turns on friend, and no easy resolution is reached. It's rather like the toxic online fan culture that followed the film's release.
Superhero media has a history of critiquing the dark side of power, hero worship, and vigilantism, but none have done so as radically as Watchmen and The Boys.
Zack Snyder's Batman V Superman: Dawn of Justice interrogates two primal drives in American culture through the top characters of the DC pantheon: fear and its trauma (Batman) and naked power and its ambiguities (Superman).
The first half of Deadpool 2, in which Vanessa is murdered and Wade becomes purposeless and suicidal, is a slog. The second half, where Wade commits to defending an angry teenage mutant, positively soars with fantastic action and some of the funniest superhero film moments in years.
In Mangold's Logan, an elderly, sick surrogate father and a young, estranged, emotionally-scarred "daughter" come to rely entirely on the aged Wolverine who is now but a haunted, battered, suicidal husk. It's nothing like superhero films that came before.
Scott Derrickson's Doctor Strange is a surprisingly cerebral, emotionally relatable film. It's also wrapped in some of the most exciting and unique blockbuster visuals seen in years.