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Never Ending Endings in 'The Avengers: Endgame' and 'Game of Thrones'

In both The Avengers: Endgame and Game of Thrones, the key conflicts are not between good and evil, as one might think, but between the beginnings and endings of their stories.

Television

'X-Men: Days of Future Past' Restored the Series to Its Former Glory

More than any previous X-Men film, Days of Future Past engages in deeply geeky, comic book-inspired elements resulting in the best cinematic representation of X-Men comics to-date.

Film

'The Amazing Spider-Man 2' Is a Shared Universe Cautionary Tale

The Amazing Spider-Man 2 is a contrived mess of four disparate competing plots and set-up for a shared cinematic universe that would never come to be. Why did Sony Pictures blow it?

Film

Taking Superheroes Seriously: Three Implications for Society Based on Travis Smith's 'Superhero Ethics'

How do we move from the tribal shouting to a more humane discourse with one another? Travis Smith's Superhero Ethics finds surprising solutions in the world of conflicting superheroes.

Books

'Thor: The Dark World' Comes Close to Being a Viable Story

In Thor: The Dark World there's a dangerous villain, a universe-ending threat, and a star-crossed romance -- but none of it makes sense.

Film

'Captain Marvel' Sees the MCU Through a Woman Character's Eyes

Captain Marvel is a solid start for a strong, compelling character that will grace the big screen for years to come.

Film

'Captain Marvel' Is Predictable

Directors Boden and Fleck skimp on the character development and emphasize the action in the disappointing misfire from the MCU, Captain Marvel.

Film

'The Wolverine' Is a Stranger in a Strange Land

James Mangold's The Wolverine taps into Western tropes and Samurai aesthetics to deliver a more thoughtful, soulful comic book film… until the climax.

Film

'Iron Man 3' Finds Its Hero in Crisis

Marvel Studios launched its second phase of films with Iron Man 3, a film filled with bold storytelling choices and irreverent humour that would become hallmarks of the MCU.

Film

Marc Webb's 'The Amazing Spider-Man' Is a Reboot That Deserves a Rewatch

Perhaps it was redundant after the previous Spider-Man trilogy, or was overshadowed by more high-profile summer 2012 superhero films, or was lumped in with its truly awful sequel, but The Amazing Spider-Man is a fine superhero film.

Film

M. Night Shyamalan's 'Glass' Doesn't Recognize Its Own Strength

James McAvoy's impressive acting and fleeting moments of powerful imagery dazzle in M. Night Shyamalan's Glass, but that can't make up for the film's shattered second half.

Film

Kinetic Directing Failed to Improve 'Ghost Rider: Spirit of Vengeance'

Flashy directors Mark Neveldine and Brian Taylor attempted to make Ghost Rider: Spirit of Vengeance more exciting than its predecessor, but their style sapped the energy that fueled the flame.

Film

'Captain America: The First Avenger' Stands Out in a Glut of Comic Book Films

Marvel Studios recognized that by mining other genres through the superhero lens, it could continue to keep comic book films fresh and entertaining to audiences and sidestep the constant predictions of imminent superhero fatigue.

Film

Losses, Journeys, and Ascensions: 'The Life of Captain Marvel #5'

Carol Danvers life will never be the same. That's a good thing.

Comics

Jean Grey Exercises the Power of Emotional Intelligence in 'X-men Red #11'

Jean Grey and Cassandra Nova have their final showdown in a war of ideas, wherein Jean applies a different tactic to quell the conflict.

Comics

The Animated 'Batman: Mask of the Phantasm' Is Still the Only Bat-Film That Gets It

Despite a long history of live action films with wildly varying tones, Batman: Mask of the Phantasm is still the only theatrically released Bat-film to truly understand the character and how best to build a story around him.

Film

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The 50 Best Albums of 2019 So Far

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