Taylor Swift Re-Immortalizes Classic ‘Red (Taylor’s Version)’
Red (Taylor’s Version) is both an Intellectual Property strategy tool, and a prolepsis of the status that the 2012 album will uphold in the future.
Red (Taylor’s Version) is both an Intellectual Property strategy tool, and a prolepsis of the status that the 2012 album will uphold in the future.
Taylor Swift’s “Wonderland” and “long story short” use imagination to interpret reality, whereas Lewis Carroll’s Alice draws from reality to understand the imaginary.
Taylor Swift responded to the COVID-19 pandemic with an album uniquely suited for it: contemplative, low-fi, acoustic songs perfect for isolation.
Tayor Swift’s second surprise album of 2020, evermore, solidifies the questions brought up by folklore: how do we consider her work when it’s not autobiographical anymore?
Despite a global pandemic, an economic crash, and the shut-down of international touring, 2020 bestowed an embarrassment of musical riches upon us.
In 2020, Americana artists empathetically dealt with the things that bind us together and keep us apart. The albums on this list encourage hope for the future based on a belief in the human spirit.
Taylor Swift’s childhood has frequently acted as the rare domain that can neither be snatched by tabloids nor staked out by fans, but “seven” presents a narrative of innocence dragged out of a child by abuse.
Television min-series Mrs. America and Taylor Swift documentary Miss Americana make vivid how beauty pageants are more multi-dimensional than many assume, offering a platform to some (attractive) women to pursue higher education, politics, and more.
The synthesis of the past, present, and future was so much of what country music was about in 2010. Country was still fairly male-dominated in the era, although the changing winds, wherein women would create the most forward-looking music, were already beginning to blow.
Taylor Swift offers empowerment in "The Man" not only by simply revealing how ridiculous men can be, but how easily society allows them to be, and accepts them as such.
On Lover, Taylor Swift looks back on her youth as both mood and metaphor, marking a significant shift from the storytelling in Red, 1989, and Reputation.