10 Writers Remaking African Literature in 2026
The writers demanding our attention in 2026 interrogate power, dissect masculinity, and insist on joy in their works of satire, sorcery, and secrets from Africa and the Diaspora.
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‘Josephine’ Crawls Under Your Skin and Stays
With crime drama Josephine, Beth de Araújo has crafted a film that first and foremost doesn’t need to be reckoned with so much as sat with.
‘Krakatit’ Shows How to Start Worrying and Fear the Bomb
Sci-fi thriller Krakatit still resonates with its message of neurotic hysteria in the face of technology and fascism.
‘The Huntress’ Tracks the Desire for Vengeance
The Huntress casts aside simplified ideas about revenge and observes different ways to respond to a culture of misogynistic violence.
‘The Dutchman’ Is a Fever Dream Thriller
Director André Gaines’ thriller The Dutchman is a playful meta-narrative with a strange, haunting presence that has the visceral feel of a nightmare.
The Best TV of 2025 You May Have Missed
These best TV shows you may have missed include a show that’s ludicrously funny, one filled with scattershot mayhem, one that’s brutal and macabre, and a surreal comedy.
Capitalism’s Moral Rot in Three New York-Centered Films
Capitalism’s moral rot is tracked in three NYC films: from heroin dealers who risk arrest to insider traders who risk indictment to men in masks who risk nothing at all.
Michael Winterbottom’s ‘Shoshana’ and the Slow Death of the Prolific Auteur
Like Steven Soderbergh, director Michael Winterbottom has become very good at shapeshifting, making his work difficult to shoehorn into a genre.
‘Red Planet’ Gets Lost in Its Own Dust Storm
Arrow Video’s 4K release of the Val Kilmer sci-fi flick Red Planet is gorgeous. Too bad the story gets lost in its own dust storm.
‘He Who Gets Slapped’ Gets Its Slap-Happy Revenge
Lou Chaney-starring He Who Gets Slapped gives viewers a macabre melodrama with a taste of serious literature – until it ends in bloody revenge.
‘Friday the 13th: Part III’ and the Third Dimension of the Incel
In Friday the 13th: Part III, Jason Voorhees’ evolving behavior hints at disturbing autonomy and sexual aggression that, in today’s parlance, we deem “incel”.
‘It Was Just an Accident’ Hides Life’s Extremes in Plain Sight
Jafar Panahi’s Palme d’Or-winning revenge thriller, It Was Just an Accident, slices into memory and the desire for revenge with a double-edged knife.