Florence Adooni’s Astonishing ‘A.O.E.I.U.’ Is Electrifying
Florence Adooni has effortless, down-to-earth charisma from start to finish, from her most lighthearted moments to her most earnest.
Florence Adooni has effortless, down-to-earth charisma from start to finish, from her most lighthearted moments to her most earnest.
Mdou Moctar’s Tears of Injustice is cause for mourning and melancholy. It makes time for lamentation, knowing there is more to sustaining resistance than fighting with fire.
Kaito Winse takes seriously the responsibility of being a tradition bearer while still having fun. Reele Bumbou is a compelling sampler of his skills.
Dowdelin’s Tchenbe! packs an emotionally nuanced punch, allowing the Creole Afro-Futurists’ style to develop in promising ways.
Jupiter and Okwess make bold music that moves the body and mind. They are expert at making history and social commentary exciting.
It’s always a good time to revisit music taking a stand against fascism, and Violeta Parra’s Las Últimas Composiciones has some of South America’s best.
Boom.Diwan’s new LP is gorgeous, deeply personal work that emerges from encounters between performers with diverse backgrounds and expertise.
Sababu is a decisive step forward for Aboubakar Traoré and Balima, moving them toward becoming internationally focused West African folk-pop standouts.
In Brazilian pop, it’s hard not to connect the best music released in 2024 with the themes that dominated politics, culture, and social media discussions.
The Chatuye archives offer a broader understanding of how Garifuna artists have sounded their identity in community with one another.
In 2024’s best global music, celebrations of culture abound, with performers playing with sounds of home and family from the Caribbean to Tanzania and beyond.
For fans of samba and bossa nova, Rogê’s Curyman II is a heartfelt homage to these enduring and quintessentially Brazilian styles of music.