Metal’s Imperial Triumphant Present 10 Jazz Albums That Inspire
Metal’s Imperial Triumphant create a type of fusion that marries black/death metal with jazz from across its history. The band discuss their favorite jazz LPs.
Metal’s Imperial Triumphant create a type of fusion that marries black/death metal with jazz from across its history. The band discuss their favorite jazz LPs.
Under the moniker of SloGlo, drummer/producer Matt Carroll’s debut album Symbols and Mirrors is a mishmash of curious, experimental textures.
Snarky Puppy is America’s jazz fusion factory and Empire Central hides an album’s worth of gems amidst well-composed, well-played pieces.
GADADU’s music has always been a balm for the dreariness and anxiety inherent in everyday life. With The Weatherman Is Wrong, they continue to confound and fascinate.
As extremist minorities corrode social liberties, it’s time to take our rusting democratic values to Joe’s Garage where Frank Zappa waits with his sleeves rolled up.
With their third LP Hellfire, Black Midi continue to put out adventurous and challenging music that keeps listeners on the tips of their toes.
On her last truly great album Hejira, Joni Mitchell designed a travelogue, awash with lush textures, and explored the implications of her lifelong itineracy.
Michael League’s pop fusion So Many Me blends catchy hooks and conventional song forms with his characteristic jazz fusion harmonies and intricate grooves.
Graham Haynes vs Submerged’s Echolocation marries drum ‘n’ bass with jazz and stirs cyberpunk visions of electronic music with the work of Miles Davis.
As he approaches 80, David Crosby makes his best solo album, climaxing his late career with poignant lyrics, strong grooves, and jazz harmonies.
Long-time New York jazz sideman Melvin Gibbs breathes new life into protest music on the short but highly potent EP, 4 + 1 Equals 5 for May 25.
Georgia Anne Muldrow’s VWETO III is a 17-track clinic on creating rhythmic frameworks that wow you with their complexity and propel you into movement.