‘Sound Storing Machines’ Boldly Assembles Some of the Earliest Japanese Recordings
A veritable rainstorm of temporal noise pours down between sounds of early 20th century Japan and the audience on Sublime Frequencies’ Sound Storing Machine.
A veritable rainstorm of temporal noise pours down between sounds of early 20th century Japan and the audience on Sublime Frequencies’ Sound Storing Machine.
Dublin's the Murder Capital and Detroit's Protomartyr both delve into murky existential lyrical terrain as riotous riffs reverberate and drums pound militantly, infusing the atmosphere with ominous sonic shadows.
The nostalgic, feel-good documentary, ‘Jimmy Carter: Rock & Roll President’, explores Carter’s connections to the music world but misses a lot about this not-so-simple man.
The characters in Ma Rainey's Black Bottom, distinct as they are, besiege the viewer's mind as metaphors, mythic exemplars of a disturbing legacy America seems unable or unwilling to address.
Spike Lee's crisp concert film of David Byrne's Broadway show, American Utopia, embraces the hopes and anxieties of the present moment.
Bruce Springsteen's music in film and television captured author Caroline Madden's imagination. She discuses her book, Springsteen as Soundtrack, and other things Springsteen in this interview.
Amanda Sewell's vastly informative new biography on musical trailblazer Wendy Carlos is both reverent and honest.
With his wide-ranging interviews, Jonathan Cott explores "the indispensable and transformative powers of the imagination."
Ravi Shankar was bemused by the Beatles, Rolling Stones, the Yardbirds and other bands using the sitar in rock music. Enjoy this excerpt from biography Indian Sun, by Oliver Craske (who worked with Shankar on his 1997 autobiography), courtesy of Hachette Books.
Polymath Girolamo Cardano was beaten, imprisoned, survived a plague, and was banned by the church. Yet his work in medicine, engineering, mathematics and more is present in our lives today.
Hip-hop, the most lasting and revolutionary contribution to popular music in the post-War period, does not exist without the Last Poets Umar Bin Hassan's work.
We determine what song is worthy of the "A" or "B" side -- not the music industry. On Will Stockton and D. Gilson's 33 1/3 B-Sides.