Director Charline Bourgeois-Tacquet on Debut Romantic Comedy ‘Anaïs in Love’
Director Charline Bourgeois-Tacquet talks with PopMatters about challenging the idea of cinema as an image-based art with her romantic comedy, Anaïs in Love.
Director Charline Bourgeois-Tacquet talks with PopMatters about challenging the idea of cinema as an image-based art with her romantic comedy, Anaïs in Love.
Director Alli Haapasalo talks with PopMatters about the radical politics of Girl Picture and and calls for removing bias about queer and women’s stories.
When you need a break from today’s harsh realities, you need a film like the 1963 comedy/mystery/romance ‘Charade’, starring Audrey Hepburn and Cary Grant.
Robert Siodmak’s Time Out of Mind, based on the novel by first National Book Award winner, Rachel Field, mixes gothic, classical, and literary elements in an unappreciated film.
Juliette Binoche talks with PopMatters about acting, understanding others, and her admiration for her character’s selfish nature in Both Sides of the Blade.
David Lean’s Summertime emerged as Hollywood was negotiating how adultery could be handled. The tawdry subject became the province of only the classiest actors.
Silent screen star Marion Davies makes these two restored films by directors George Hill and Sidney Franklin irresistibly delightful.
Director Jacques Audiard talks with PopMatters about straddling the divide between art and commercial cinema with his comedy/romance, Paris, 13th District.
Thomas Savage’s novel and Jane Campion’s film adaptation of The Power of the Dog depict the danger in Americans’ distrust of civic institutions.
Mini-series Pam & Tommy seeks to bring depth and humanity to its oft-ridiculed titular leads. But it nonetheless revels in their mythology.
Gary of Licorice Pizza behaves like all male characters from Paul Thomas Anderson’s gallery of sociopaths, except now the type is cast as a romantic hero.
The debate over whether the 2009 rom-com (500) Days of Summer is sexist is valid, but the filmmaking and acting are superior to its dull contemporaries.