From the rich archives of Chicago's Gerber Hart Library, John D'Emilio's Queer Legacies offers an inspiring overview of individual perseverance; poignant losses, and stirring collective gains.
Mark Doyles biography of the Kinks might complement a seminar in British culture. Its tone and research prove its intent to articulate social critique through music for the masses.
Stephanie Ross' book on aesthetic philosophy, Two Thumbs Up, can be used as a dissertation template. Just expect -- like a critic -- to argue with it, at times.
In The American Robot, Dustin A. Abnet explores how robots have not only conceptually connected but literally embodied some of the most critical questions in modern culture, as seen in this excerpt from chapter 5 "Building the Slaves of Tomorrow", courtesy of University of Chicago Press.
'Objectivity' in journalism has become a shield for privilege and a weapon for right-wing pundits, argues Lewis Raven Wallace in his work, The View from Somewhere: Undoing the Myth of Journalistic Objectivity.
In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. This excerpt gives a taste of his engaging research into the rise of teenage culture and soul music's resistance against the city's infrastructural racism.
I'd Fight the World explores the connection between country music and electoral politics, giving us a glimpse into how politicians used celebrity long before the rise of the "movie-actor president" and the "Twitter president".
Critic Herb Childress exposes some uncomfortable truths in The Adjunct Underclass that are both painfully difficult for adjunct professors to admit and essential reading for those concerned with the cultural and intellectual future of America.