'Objectivity' in journalism has become a shield for privilege and a weapon for right-wing pundits, argues Lewis Raven Wallace in his work, The View from Somewhere: Undoing the Myth of Journalistic Objectivity.
In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. This excerpt gives a taste of his engaging research into the rise of teenage culture and soul music's resistance against the city's infrastructural racism.
I'd Fight the World explores the connection between country music and electoral politics, giving us a glimpse into how politicians used celebrity long before the rise of the "movie-actor president" and the "Twitter president".
Critic Herb Childress exposes some uncomfortable truths in The Adjunct Underclass that are both painfully difficult for adjunct professors to admit and essential reading for those concerned with the cultural and intellectual future of America.
John Corbett's writing is often poetic in Pick Up the Pieces: Excursions in Seventies Music, with each essay being a resonant reflection on the music, artists, scenes, and memories seemingly etched deeply in his being.
Post Bellum's publishing mission is not simply to isolate testimony from those who suffered but to also shed light on those who worked against the smothering constraints of fascism and totalitarianism.
George Orwell's seminal work, 1984, can equip its readers with the intellectual apparatus necessary to see through the routine mendacity and stupefying barrage of euphemism that plagues contemporary political life.