
Slowdive’s In-Between Band Mojave 3 Reissue Their Catalog
Mojave 3 may always be remembered as a lengthy diversion between phases of Slowdive. They still had plenty of winning moments of their own.

Mojave 3 may always be remembered as a lengthy diversion between phases of Slowdive. They still had plenty of winning moments of their own.

KiKi Holli made her name interpreting Dusty Springfield on a New York stage. She is a superb interpreter. Her own writing hasn’t quite caught up yet.

Olivia Rodrigo has always crafted her songs to leave her figuratively smiling and winking at her audience. She takes this skill to new heights on her latest LP.

With Perfect Place, Irish folk-pop duo Lemoncello have achieved a feat of musical alchemy that should, must, bring them a wider audience.

With Roses, Widowspeak further hone their songcraft while again offering entrancing soundscapes. Additionally, they flesh out their Americana proclivities.

Unwed Sailor mine a sense of adventure from their relatively uncomplicated sound. It’s music in which one can get beautifully, blissfully lost.

Donna Lewis’ album is for those returning home, or perhaps more accurately, for those who are finally ready to step into their next chapter with an open heart.

Claire Dickson makes art music that casts a spell. There is a power here that mixes popular, personal, and jazz elements into a daring, delicious whole.

ROREY pulls back the curtain on the vulnerable evolution of heartbreak in “Dying Fire”, her ethereal new dream pop single.

Irish dream pop artist Maria Somerville kicked off her US tour in Burlington, Vermont. On 21 March, she played to an intimate, captive crowd at Higher Ground.

Lucid Express might be restless and eager to defy pigeonholing and complacency. That’s good, but in the process, they’ve made an album that often feels overstuffed.

Rock guitars form the central DNA of KEELEY’s new record, Girl on the Edge of the World, for all the glory it can muster.