Fontaines D.C.’s ‘Romance’ Is a Full-Fledged Triumph
Fontaines D.C.’s ‘Romance’ should be considered a high-water mark for them, a work that is equally challenging and considerably more gratifying.
Fontaines D.C.’s ‘Romance’ should be considered a high-water mark for them, a work that is equally challenging and considerably more gratifying.
Spirit of the Beehive offer their most rangy yet integrated album, each track striking a notable balance between sonic exploration and hook-leaning songcraft.
Wishy’s debut LP reflects a band figuring out their style early in their career, but the strength of this album is likely to catapult them into indie stardom.
With Weird Rooms, John Andrew Fredrick and the Black Watch are at the late height of their powers and perhaps the end of their life as a group.
Lana Del Rey’s Ultraviolence used rock to kickstart a new career direction that culminated in autobiographical work without spoiling the mystery of her persona.
DIIV’s Frog in Boiling Water aspires to be a statement album, reflecting our zeitgeist of right-wing extremism, global conflict, and environmental collapse.
Brooklyn-based singer-songwriter Jackie West effortlessly transcends genres and generations on her outstanding debut album, Close to the Mystery.
Polish duo Coals always looks for something new in music, and Sanatorium is no different. But in the lyrics and emotions, it’s a return to the past.
Ride continue their second phase with ‘Interplay’, an album full of melodic atmosphere lacking some of the creative yearning heard in their earlier work.
Laetitia Sadier of Stereolab sees love as a solution for our contemporary ills, whether personal, political, or planetary. The stakes couldn’t be higher.
Mall Girl are in a category of their own. The art-pop trio possess so much potential, and Pure Love is one of the most exciting releases of the new year.
Delayed a year due to Covid, the 30th anniversary re-release of In Ribbons by Pale Saints last October is a reminder of how expansive shoegaze can be.