
Dean Wareham Reunites With Galaxie 500 Collaborator
Dean Wareham savors meaningful relationships, especially when their collaboration is this kinetic. The Price of Loving Me shows noticeable depth.
Dean Wareham savors meaningful relationships, especially when their collaboration is this kinetic. The Price of Loving Me shows noticeable depth.
On For Melancholy Brunettes (& sad women), Japanese Breakfast quiet the fanfare but deliver enough quality to stay relevant.
Parisian mellow indie rockers the Oracle Sisters are at their best when given the freedom to experiment, and Divinations offers ample space for that.
Australian dream pop duo Gypsy & the Cat reflect on how the ancient Homeric poem ‘The Epic of Gilgamesh’ informed their music career.
Coalesced is For Against’s masterpiece, creating cinematic sonic spaces to function as containers for insular expressions of self-doubt, regret, and victory.
Benjamin Booker’s new album LOWER asks how to live in an awful world. His only answer is to keep stepping forward into the darkness.
The 30 best pop albums of 2024 radiate with unstoppable playlist power, much-needed sweet escapism, self-reflection, self-criticism, and killer melodies.
Uncollected Noise New York ’88-’90 is a new compilation of unreleased tracks, B-sides, and rarities that restores and dismantles the myth of Galaxie 500.
Detroit’s Clinic Stars draw you into their gauzy, poetic interior world and weave a cozy afghan of 1990s slowcore and dream pop on their debut LP, Only Hinting.
With Up on the Hill, Otis Shanty have taken the guitar-based, dream pop template and reinvented it beautifully for a new era.
The collaboration between ethereal pop trio Cocteau Twins and avant-gardist Harold Budd, The Moon and the Melodies, hits vinyl for the first time since 1986.
Fontaines D.C.’s ‘Romance’ should be considered a high-water mark for them, a work that is equally challenging and considerably more gratifying.