
Vocalist Claire Dickson Creates Beguiling Art Music
Claire Dickson makes art music that casts a spell. There is a power here that mixes popular, personal, and jazz elements into a daring, delicious whole.

Claire Dickson makes art music that casts a spell. There is a power here that mixes popular, personal, and jazz elements into a daring, delicious whole.

ROREY pulls back the curtain on the vulnerable evolution of heartbreak in “Dying Fire”, her ethereal new dream pop single.

Irish dream pop artist Maria Somerville kicked off her US tour in Burlington, Vermont. On 21 March, she played to an intimate, captive crowd at Higher Ground.

Lucid Express might be restless and eager to defy pigeonholing and complacency. That’s good, but in the process, they’ve made an album that often feels overstuffed.

Rock guitars form the central DNA of KEELEY’s new record, Girl on the Edge of the World, for all the glory it can muster.

Listening to The Return of the Durutti Column is like being given the key to a world that, while not as secret as before, is well worth exploring.

Slow Crush’s Thirst has scattered interesting musical moments, but much of it is buried under constant guitar noise and not enough melody.

Flint, Michigan band Greet Death’s latest album is a triumph of accepting endings and appreciating life’s pleasures in their time.

Singer Ellie Rowsell shines as a genuine rock god goddess as Wolf Alice rock a dazzling array of sonic flavors. It’s been a sensational night in Oakland.

Jay Som’s guitar may have taken a more minor role, but the production and attention to the tiniest details throughout Belong show a new level of artistry.

Laveda’s Love, Darla is impressive, bridging the sounds of 1980s punk with 1990s grunge, the result of a band that won’t compromise their no-frills aesthetic.

Blonde Redhead prove they’ve got just as much style as substance on their new record. They follow their instincts and make remarkably well-crafted music.