In the virulently anti-Communist and homophobic climate of the postwar era many feared any association between the emerging lesbian and gay cause and Communism.
Co-director Bennett Singer talks with PopMatters about the early gay rights documentary, ‘Cured’, and the cruelty of ongoing conversion therapy.
Viggo Mortensen's first directorial feature, Falling -- a mix of hope and existentialist despair -- is rooted in the story of his family.
The artificial connection between homosexuality and communism created the popular myth of evil and undetectable gay subversives living inside 1950s American society. Queer film both reflected and refracted the homophobia.
With his 1949 avant-garde short film, Puce Moment, Kenneth Anger is vomiting glamour into our face, objectifying objects, sexualizing what cannot, in a vacuum, be sexualized: silk, velvet, cotton, glitter -- and we cannot get enough of it.
Language and image never combine in Abrams' Live Oak, with Moss; they are distant lovers, if you will, as divided as Walt Whitman and Brian Selznick are as collaborators.
Michael Donkor's Housegirl, a PopMatters' pick, is a strong debut novel about traditional changes and personal awakenings.
Sebastián Lelio reflects on his first English language feature, Disobedience, and how art, the individual, and society benefits from one's rebellion against one's own worldview.
Mishima: A Life in Four Chapters is a singular portrait of an artist's life lived so fiercely as to have left an indelible mark on an alienated world seeking affirmation for its own existence.
Director Joel Edgerton's well-intentioned drama about gay conversion therapy fails to deliver any new insight or even a good cry.
The tragedy of conversion therapy is confronted in Boy Erased, a well-meaning but perfectly conventional message movie.
Actor-director Joel Edgerton details the sensitive process of making Boy Erased and how the film could act as a lifeline for families who have experienced gay conversion therapy.
