Aaron Lee Tasjan Is Seriously Funny on ‘Stellar Evolution’
Aaron Lee Tasjan often goes for a laugh with broad puns and subtle references to pop culture. Yes, he is funny, but he is also serious, seriously funny.
Aaron Lee Tasjan often goes for a laugh with broad puns and subtle references to pop culture. Yes, he is funny, but he is also serious, seriously funny.
Has any songwriter used the words “things” and “sounds” and made small matters seem more significant and full of possibility as much as Built to Spill’s Doug Martsch?
Wilco’s net-streaming experiment with Yankee Hotel Foxtrot was part of the utopian promise for technology’s future, and it worked.
The Libertines’ All Quiet on the Eastern Esplanade is something of mixed bag, but it’s worth persisting with for its moments of beauty and always fun energy.
Ride continue their second phase with ‘Interplay’, an album full of melodic atmosphere lacking some of the creative yearning heard in their earlier work.
After breaking through with a lockdown-inspired set of songs, the Ratboys’ “post-country” stylings find a new audience, opening for the Decemberists.
Chastity Belt are dovish and disarming on Live Laugh Love, which explores the self. It’s unadulterated self-expression in its purest form.
Yard Act’s Where’s My Utopia? is a mother lode of cool sounds, critiques of late capitalism, meditation on fame’s futility, and a forecast of apocalyptic change.
Oasis kept putting out singles all throughout their career, spawning some pretty memorable B-side tracks. Here are ten of their best.
Mannequin Pussy continue to explore a spectrum of intensities, pinballing between two extremes and finding the group in their most mature and polished form.
Bleachers finds its primary strength in its serenity. Gentle moments of introspection about love’s redemptive power illuminate some of the brightest moments.
Rock guitar virtuoso Mary Timony’s Untame the Tiger is a clear–eyed, unsentimental, top-shelf record that emerged during hard times.