Henry David Thoreau was the original punk. A punk of individual liberty, authenticity, and the rejection of conformity amidst a mindless society.
Bestriding boundaries between hip-hop, poetry, and surrealism, poet-musician Malik Ameer Crumpler forges a strange and compelling work that is utterly and uniquely his own.
In 1997, you could call Love Jones a small, curious drama that won many critics over. Today, it stands as a cornerstone of Black narrative in cinema.
On her debut solo album Quaking Aspen, Colombian-American soprano Stephanie Lamprea makes a bold artistic statement that’s exciting and innovative.
Poet Laureate Tongo Eisen Martin’s words snake their way into one’s consciousness and viciously bite at the tragic absurdity of American racism.
Marianne Faithfull’s She Walks in Beauty captures the sad, reflective mood of the world. It’s an apt period to a very long and moving sentence.
From the onset, Amanda Gorman's poem, "The Hill We Climb", dissolves the ideology that a presidential inauguration announces the new and deracinates the present from the past.
Every Day We Get More Illegal, seems to foretell a diatribe vibe, but threaded throughout Herrera's verse is the musicality--the calming, invigorating melodies that remind us, ever so sweetly, if insistently: Latino lives are beloved.
In Jamila Woods' latest single "SULA (Paperback)", Toni Morrison and her 1973 novel of the same name are not static literary phenomena. They are an artist and artwork as galvanizing and alive as Woods herself.
Concepts within indigenous futurism such as Native slipstream, First Contact, Indigenous Science, and Native Apocalypse, help shape emerging narratives about Indigenous futures.