Marianne Faithfull’s She Walks in Beauty captures the sad, reflective mood of the world. It’s an apt period to a very long and moving sentence.
From the onset, Amanda Gorman's poem, "The Hill We Climb", dissolves the ideology that a presidential inauguration announces the new and deracinates the present from the past.
Every Day We Get More Illegal, seems to foretell a diatribe vibe, but threaded throughout Herrera's verse is the musicality--the calming, invigorating melodies that remind us, ever so sweetly, if insistently: Latino lives are beloved.
In Jamila Woods' latest single "SULA (Paperback)", Toni Morrison and her 1973 novel of the same name are not static literary phenomena. They are an artist and artwork as galvanizing and alive as Woods herself.
From a non-Native perspective, COVID-19 may be experienced as an unexpected and unprecedented catastrophe. Yet from a Native perspective, this current catastrophe links to a longer history that is synonymous with European colonization.
Poet Laureate Jaki Shelton Green's The River Speaks of Thirst is at once a political statement, cultural commentary, and an aesthetic milestone, a skillful commingling of galvanic activism and evocative poetry.
Kurt Elling's collaboration with pianist Danilo Pérez features impressionistic and daring playing and poetic lyrics, making it one of the highlights of a brilliant jazz vocal career.
The worn trope—Time Devours All Things (tempus edax rerum)—is true for human beings, says Shakespeare: if you're a mortal, death lurks at the heart of the very thing you most want. During a plague, or a pandemic, it's wanting that endangers us.
Across more than 20 short tracks, Homeless Oakland Heart captures the broken heart of the Bay straight from the mouths of some of those who have suffered the most at its feet.