Suicide’s Music in Film: An Interview with Martin Rev
Suicide’s music is used in films from the comedy Mistress America to the documentary The Red Orchestra. Martin Rev shares memories of the films and the sci-fi that he and Alan Vega loved.
Suicide’s music is used in films from the comedy Mistress America to the documentary The Red Orchestra. Martin Rev shares memories of the films and the sci-fi that he and Alan Vega loved.
There are seemingly infinite possibilities for how the ability to see into multiple lives might change a person; in Mr. Breakfast, Jonathan Carroll manages to avoid them all.
At the dark heart of M3GAN is the loneliness we fill with things because we don’t know what else to do. It conjures the horror of anti-materialism.
In genre-busting sci-fi Everything Everywhere All At Once, the multiverse is not a genre but a metaphor that invites audiences to think about the complexities and politics of genres.
Premiering at Sundance 2023, Cory Finley’s Landscape with Invisible Hand effectively uses sci-fi to gaze into the future and look back on humankind’s dark heritage.
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More than just corporate propaganda, the subversive artworks in Severance hold a strange place in Lumon Industries’ ideological fabric.
Iñárritu’s VR experience Carne y Arena, Vizcarra’s documentary La Línea, and Rivera’s sci-fi film Sleep Dealer create unconventional imaginings of the Mexico-US border.
T Bone Burnett, keyboardist Keefus Ciancia, and drummer Jay Bellerose create a dystopian vision of the future as the present on The Invisible Light: Spells.
Little did the filmmakers behind Ruben Fleischer’s Venom know that Carnage would become a poisonous burden to Andy Serkis’ sequel, Venom: Let There Be Carnage.
Stephen Graham Jones’ horror/sci-fi lays eggs in your head. With his latest project, the Earthdivers (Kill Columbus), his ideas for an alternative America crawl out.
Stimulated by, then stimulating, certain writings, punk has been a change agent of literature, injecting energy and disruption into multiple genres.