
Protest Music from Today’s Folk Troubadours
Today’s troubadours travel through cyberspace, and artists like Jessie Welles, Dylan Earl, and Nick Shoulders are at the vanguard of protest music.

Today’s troubadours travel through cyberspace, and artists like Jessie Welles, Dylan Earl, and Nick Shoulders are at the vanguard of protest music.

In future generations, it is easy to see Depeche Mode’s “Stripped” inspiring the same sensual viscerality as humans being penetrated by their AI sex dolls.

Fan obsession over celebrity spouses mirrors anxieties about our performative selves in the age of influencers.
When it comes to music criticism, which version is real? The serious opus or the TikTok goofy snippet?

Liann Zhang’s debut satirical thriller Julie Chan Is Dead examines death, digital debauchery, and the cult of clout.

In this attention economy, where shock pays dividends and subtlety is a liability, the stripper is a cultural archetype, the influencer a high priest of exposure.
The COVID pandemic seemed to accelerate the spread of new viral media, but viruses mutate, pop culture replicates, and everything’s a cover song.
The recent “Rap Civil War” accelerated the use of AI in rap music and, as with digital sampling, creatives will use it regardless of the implications.
Iranian protest songs like “Soltane Ghalbha”, which lyrically invoke “structures of feeling” connected to the loss and grief of a loved one, achieve an encoded additional layer of resistance when paired with the specific images and stories of lost young Iranians.
The tighter we cling to any aspect of self-identity, the more we suffer and the more vital it becomes to release our grip.
Romcom The Broken Hearts Gallery is aware that we are chained to technology, yet it shrouds social media in the kind of movie magic that can revive the ailing genre.
In its exploration of themes like paranoia, voyeurism, and loneliness, Hitchcock’s Rear Window strikes a familiar chord with the social media climate we live in today.