The two most recent albums by these jazz artists, Esperanza Spalding's Radio Music Society and Norah Jones' Little Broken Hearts, go in different (and good) directions. [16.May.12]
James Robinson begins, and there's a kind of building-up. In my mind I imagine great machines powered by steam, machines of bespoke engineering from a bygone day, now already just slightly out of reach… [16.May.12]
Podcasts where the cheap suit, smoky bar and tidy punch lines are left behind. Perhaps the jury is still out, but in sheer number of podcasts available, one can assume this is another pivotal moment in the history of American comedy. [16.May.12]
A philosophical collection of essays dissecting the works and poses of Prince proves simultaneously fascinating and frustrating: their points are evocative, but the authors' personal weight in the matter breaks down subjectivity in the long run, hurting their cause. [16.May.12]
The Other Dickens: A Life of Catherine Hogarth -- it’s definitely not what Charles Dickens would have wanted us to be reading on the 200th anniversary of his birth. [16.May.12]
While Family Perfume treads familiar lo-fi psych-folk ground, it does it well, as well as anyone since the weird ramblings of Elephant 6’s Olivia Tremor Control and Apples in Stereo. Good melodies, weird noises, basement tape production – what’s not to love?
Williams's latest batch of gritty, unapologetic blues allows us to walk, a little, in the shoes of a grizzled vet who’s seen it all but is still hungry.
The two most recent albums by these jazz artists, Esperanza Spalding's Radio Music Society and Norah Jones' Little Broken Hearts, go in different (and good) directions.
A philosophical collection of essays dissecting the works and poses of Prince proves simultaneously fascinating and frustrating: their points are evocative, but the authors' personal weight in the matter breaks down subjectivity in the long run, hurting their cause.
The Other Dickens: A Life of Catherine Hogarth -- it’s definitely not what Charles Dickens would have wanted us to be reading on the 200th anniversary of his birth.
A bleak, desolate setting full of bleak, desolate men: A group of oil workers survive a plane crash and have to fight a pack of wolves across the Alaskan wilderness.
James Robinson begins, and there's a kind of building-up. In my mind I imagine great machines powered by steam, machines of bespoke engineering from a bygone day, now already just slightly out of reach…
Podcasts where the cheap suit, smoky bar and tidy punch lines are left behind. Perhaps the jury is still out, but in sheer number of podcasts available, one can assume this is another pivotal moment in the history of American comedy.
The dynamos of instrumental disorder – Russian Circles, debut in Dublin. Possessing the power to run rings around their instrumental contemporaries, tonight Russian Circles push their foreboding sound onward with impressive style.
"I was a Scientologist for 12 years, which is a lot more embarrassing than saying Hi, I’m a transsexual SM dyke living with borderline personality disorder," Kate Bornstein tells PopMatters 20 Questions on the release of her memoir, A Queer and Pleasant Danger.
Horror movie directors. The Vaccines. Forming a country-based side-project despite not being all that much into country. This is just a day in the life of Keane pianist/songwriter Tim Rice-Oxley, and for his second PopMatters sitdown, he tells us all about the band's latest back-the-the-basics album Strangeland ...
One of the most challenging aspects for Ali Bannister, head of the equine hair and make-up department on the set of War Horse, was keeping artists safe when applying mud to the rear ends of over 80 horses.
Albert Nobbs, the story of a woman living as a man in 19th century Dublin, is a film that quietly and subtly explores not only gender roles, but identity at its most basic level.
The sky might be the limit for Best Coast as a brand, but The Only Place only ends up highlighting Bethany Cosentino’s ceiling as a performer and songwriter.
Etgar Keret’s satire may be local, but his ironies are global; this is a master storyteller, creating deep, tragic, funny, painful tales with scarcely more words than you’ve read in this review.
From the very start of his seventh solo album, Standing at the Sky’s Edge, it’s apparent that Richard Hawley’s sound has been defatted and pulverized, yet emotion and beauty remain intact.
The past few seasons of Gossip Girl have sent a consistent message to the series' largely female audience: women who attempt to climb the social ladder won't get a happy ending. Even ladies born wearing Prada diapers can expect their share of misery.
The weapons deals in The International and the back-door negotiations between corporate lobbies and Congress are two sides of the same coin; both use overwhelming systemic violence to further their ends.
Blues, gospel, and jazz singer Ruther Foster spent so much time on the road that her songwriting suffered -- yet the folk, Stax soul, and gospel that accompanied the sound of tires spinning on asphalt gave her a different kind of musical inspiration.
For a decade and a half, Steve Hughes has published Stupor, a zine that chronicles life in the age of diminished expectations. The newest issue was done in collaboration with international art star (and Björk main squeeze) Matthew Barney.
Peking, on the edge of World War II, couldn't have been more fraught with tension. The brutal murder of a young Englishwoman was the proverbial match struck to this powder keg of a city.
In emphasizing the ways that the "food industry" does business, HBO's four-part series makes an important contribution to the ongoing discussion of obesity in America.
Whereas Richard Pryor used autobiography for his comedy of social dissent, George Carlin aimed his critical lens outwards, to reflect upon a world of greed and self-delusion.
The Full Frame Film Festival is a rich collection of “elective affinities” that forces us to ponder the relationships between stories placed side-by-side, like so many books on a shelf.
If you want a do right, all day woman, look no further than the 81st Most Acclaimed Album of All-Time, a landmark 1967 soul serenade from Aretha Franklin.
"Are we as fans prepared for a scenario where Joss Whedon's Avengers might have tanked?," Rob asks at one point… Talking with Rob Salkowitz is an education not only in fandom, but in the business of popular culture.
A beautiful chronicle of British life during the war, a perfect example of propaganda and a detailed examination of creative evolution, this boxset is sure to become a staple in film lovers' libraries.
The stark rhythms in Ross Raisin's prose form a kind of poetry that is as unexpected as it is beautiful. This is a superb story, detailing one man's downward spiral.
With longer songs, a darker theme, and catchier melodies, Death Dreams is a second album that doesn’t fall prey to the sophomore slump. Instead, it builds on past successes and expands the group’s ambitions.
Instead of aiming for the prejudice or stupidity of its unsuspecting marks, this movie goes back to the typical film comedy formula, and comes up a winner.
Despite its intentions, Girls simply can't be a reflection of creator Lena Dunham's multicultural, multiracial, downwardly mobile generation -- the characters are too white, too wealthy, and most damningly, too insular and incurious about the world beyond them.
As the singer just turned 24, we look back on how gigantic her star has grown while looking forward with an open mind at whatever her next move may be.
This kid in my class was only 11, but there was a sort of world-weariness about him. Life was tough. Where the Wild Things Are reminded him of his former innocence, even as it spoke to his inner fierceness.
As the world passes the tipping point where more than half of its population now lives in urban areas, David Harvey condemns the idea of the capitalist machine.
The ship of dreams as seen in Roy Ward Baker’s film is an angry, socialist piece about the unfairnesses that would strike British people in the years that came after the war.
As snarling as it is, OFF! isn't confrontational, because confrontation – with us or with the issues addressed here – involves some level of interaction.