Jessie Ware supplies more late-night soul on her sophomore effort, an album that finds her subtly expanding her much-lauded R&B sound.
No One Is Lost is undoubtedly a fun album, but it very much gets lost in its own narrative.
The jazz singer tackles a set of boomer pop "standards", kind of like she was the Perry Como of her generation, and sounds plastic doing it.
“The Cavern”, the one 45-minute song that makes up this EP, is truly worthy of the word “epic” and is a welcome addition to the pantheon of metal music.
Julian Casablancas + The Voidz get weird on Tyranny, but weird doesn't automatically mean quality.
Thirteen years on this seemingly-derivative piece of sludge metal differentiates itself from less interesting acts with one thing: pure sonic filth.
This reissue of the Elwins' 2012 self-released album has multiple reference points in describing its sound, all leading to '70s-style pop.
We have an amazing contest for our readers featuring Cinda Williams Chima's Heir Chronicles series and an OontZ Angle speakers, as well as a 3-month subscription to Spotify.
"Keep Me By Your Side" is an archetypal example of a West Coast anthem.
"The White Man Made Me Do It" finds Swamp Dogg once again marrying humorous social commentary and groovy soul.