Killer Mike and El-P revive the spirit of early '90s Bomb Squad productions from Ice Cube and Public Enemy as faithfully and forward-thinkingly as possible.
Instead of spending so much time pulling things together, Stephens and company would have done well to break a few things down.
A theme of deliberate confusion runs throughout Aufheben's 11 songs. Hell, even dubbing them “songs” is a bit of misnomer, as structure is largely forsaken for instrumental pastiches and all-enveloping grooves.
Thorn should know a good song when he hears it. His own works are filled with saints, sinners and the strange whose lives cannot be viewed through the prism of the sacred or the profane. The same is true of the people he sings about on the new cover record.
Other than a crackling record on a turntable, there is perhaps nothing more satisfying to a jazz aficionado than the release of never-before-heard material from a great player.
On their eighth album, Soulfly strikes back at critics, proving why change is both overrated and unnecessary for them.
With Clear Channel recently purchasing Boston's WFNX, almost certainly with the intention of changing its format, we look at how important it is for alternative radio to exist -- and evolve.
With the re-issue of all seven of Stanley Clarke’s solo discs in a career-spanning box set, we talk to the legendary bass player about his career, writing classics like "Lopsy Lu" and "School Days", the ideal balance of heart and virtuosity and the value of live performance, warts and all.
Season Five’s American Idol saw a record number of Billboard chart appearances, with 18 contestants from the show eventually receiving some sort of record contract. What are those contestants up to, now?
Upon the release of Hell in a Handbasket, the classic rock icon opens up about fame, faith, and his fears about the world.