Viewers know going in that as Machete escapes one ambush after another, there will be blood, lots of it, splattered on walls, people, animals, vegetables, hell, even minerals.
Underworld, The Last Command, and The Docks of New York are masterpieces of visual storytelling -- human dramas expressed with cinematographic innovation, impeccably realized set design, and an unparalleled grasp of the “bigger picture” of the motion picture.
Aside from exposing natural gas companies' corruption, Gasland makes another important point: individual experiences are made collective -- visible, galvanizing, political -- on TV.