Zürich's Institute of Landscape Architecture explores the fragile connection between mankind and nature in a multimedia project that merges science with art, turning sounds and images of a changing alpine glacier into a moving call to action.
There's a wealth of work on display in Shape of Light, from the Tate Modern's exhibit, perhaps one of the finest general collections of abstract photographs currently available in print form.
In rendering his most avant-garde characters as members of a kind of self-help conspiracy in The Made-Up Man, Joseph Scapellato offers not an update but a revision of absurdism, and as such, many social phenomena ripe for satire get off easy.
From its inception as a blogging project to its culmination into a beautiful art book, Dave Addey's Typeset in the Future is a wonderful but expensive look at typography and design in popular science-fiction films.
Ian Birch's engaging Iconic Magazine Covers shows how magazines and their covers not only reflect social change -- they can also help bring about social change.
Olivia Erlanger and Luis Ortega Govela's Garage challenges the beguiling, energizing, and yet limiting power of the garage in America as a symbol of escape and reinvention.
While it's unlikely that you will ever come across an acknowledged gay, lesbian, or transgender person featured on an official holy card, it's quite possible that some individuals thus pictured snuck in under the radar, so to speak. Ria Brodell's Butch Heroes brings that tragic oversight to light.
Being humble and peaceable are not virtues, according to Oscar Wilde, as seen in his collection of essays, In Praise of Disobedience, disobedience and rebelliousness against inequality and tyranny are much more valuable to humankind.
Kill the clichés. Rebel artfully. Writer-director-musician Boots Riley talks with Cynthia Fuchs about empowering the power of Art.
In this beautiful excerpt from Lorna Simpson Collages, Chronicle books shares with PopMatters readers' selections from the renowned artist's collection and a poignant introduction by award-winning poet, Elizabeth Alexander.
The look and feel of My Art is sunny and green, with warm visuals that have a clear artist's eye for photography.
From "contact highs" to Be Kind, Rewind, Laurie Simmons discusses the inspirations for and making of her debut narrative feature film, My Art.
There's really nothing quite like this in other collections of "primitive" art, or even in the grand narrative painting from the European tradition.
This tribute to surrealist painter Rene Magritte reveals more about the comics form than the artist.
The artists and writers of Paris' Left Bank brought scandal and controversy in their time. In so doing they shaped the artistic and intellectual milieu of the modern world.
This unusual rotoscope film captures Vincent van Gogh's art beautifully. But does it capture the mysterious van Gogh himself?
In its response to modernity, Romanticism's grand enterprise inspires us to question the current state of things, to ponder how we might "be heroes / just for one day".
In Hickey's formulation, what is raw is hot. What is cooked is cool. Art and democracy are better served by cool cats, not hotheads.
Prize-winning historian Jane Kaminsky's Revolution in Color paints the era of the American Revolution with beguiling precision; John Singleton Copley, a man who resisted what we regard as the inevitable outcome of the era, emerges sharp and distinct.
Mary Poppins, Mrs. Gamp, Egyptian deities, a Japanese umbrella spirit, and a supporting cast of hundreds of brollies fill Marion Rankine's lively history.
Which is the draw, the art or the artist? Critic Rachel Corbett examines the intertwined lives of two artists of two different generations and nationalities who worked in two starkly different media.
Tom Whalen's gorgeous use of color, Jeff Kleinsmith's arresting images, Jason Munn's minimalist designs, and Aaron Horkey's intricate lettering are only a few of the highlights here.