Cuban Video Game ‘Saviorless’ Subverts the Revolution’s Narrative
Cuban video game Saviorless joins Lillian Guerra’s scholarship and Tomás Gutiérrez Alea’s film The Last Supper in subverting the Cuban Revolution’s narrative.
Cuban video game Saviorless joins Lillian Guerra’s scholarship and Tomás Gutiérrez Alea’s film The Last Supper in subverting the Cuban Revolution’s narrative.
On Okantomi, Okan continue to engage with many of the interwoven styles and stories critical to their own experiences of Cuban music and personhood.
Eliades Ochoa may have grown up in a rustic milieu, but he’s traveled many miles since and picked up some sophisticated sounds on the way.
Eliades Ochoa’s Guajiro shows an understanding of musical roots. It feels fresh, endowed with a collaborative spirit that makes for something wonderfully new.
Overlooked at the 2022 Oscars, Kirk DeMicco’s animated comedy Vivo expresses the “Trump-era anxiety” and ambiguous loss surrounding transnational migration.
The new 25th Anniversary Edition of Buena Vista Social Club sheds light on the sessions that created an international phenomenon.
Ibrahim Ferrer's Buenos Hermanos is a thoroughly enjoyable, perfectly realized example of Afro-Cuban music's appeal.
A remixed reissue of Ibrahim Ferrer's Buenos Hermanos brings one of Cuba's most iconic voices back into the spotlight.
Raul Malo-mentored rock outfit, Sweet Lizzy Project, share a track from their upcoming album that finds them longing ever-so-slightly for home. "I think I can feel my Cuban roots a little more on this record," says vocalist Lisset Diaz.
In Tomás Gutiérrez Alea’s Memories of Underdevelopment the protagonist is too estranged from his country to belong, doomed to existential disaffection
When the Buena Vista Social Club album came out in 1997, it had an indelible effect on the international community's perception of Cuba.