‘Wolfish’ Warily Looks Metaphorical and Literal Fear in the Eye
Wolfish: Self, and the Stories We Tell About Fear engagingly weaves ecology, sociology, and history into a rich tapestry to warily gaze into the unblinking eye of fear.
Wolfish: Self, and the Stories We Tell About Fear engagingly weaves ecology, sociology, and history into a rich tapestry to warily gaze into the unblinking eye of fear.
How the Russo-Ukraine War generated a media dimension of its own and how it linked the myths of the past century to the challenges of our own.
Writing With Fire co-director Rintu Thomas talks with PopMatters about hope and courage and the women journalists who are changing the world one byte at a time.
The superbly researched Journalism and the Russo-Japanese War tells readers how Japan pioneered modern techniques of propaganda and censorship in the Russo-Japanese War.
Annik LaFarge's Chasing Chopin is a slim book but it stands out because it's a hybrid work—biography and journalism—with utterly lovely, vivid descriptions of Chopin's music.
Journalist Katya Cengel's memoir, From Chernobyl with Love, is more illuminating of the American mindset than it is of Latvia and Ukraine.
John Hersey covered Hiroshima and America's race riots with empathy, courage, and profound humility. Jeremy Treglown's biography, Mr. Straight Arrow, should bring a new generation of readers to Hersey's work.
Joel Simon, Executive Director of the Committee to Protect Journalists, discusses his new book, We Want to Negotiate, which argues for sweeping changes to the way the US responds to hostage-taking.
Matthew Pressman's engaging, historical dive into the fourth estate, On Press, looks at the forces that contributed to the decline of news in print, gave rise to interpretive reporting, and the new challenges and advantages available to news reporters and consumers today.
Funny and thoughtful but not sharp enough, Jason Reitman's satire about Gary Hart's tabloid downfall aims for controlled chaos but settles for conventional finger-wagging.
Documentarian Matthew Heineman's debut feature is an inspiring tribute to war correspondent Marie Colvin, who dedicated her life to documenting the human cost of war.