The Roches’ 10 Most “Punk” Songs
The Roches’ music drew on folk, pop, rock, and more. No one would call it punk, yet here’s a batch of their songs that just might qualify.
The Roches’ music drew on folk, pop, rock, and more. No one would call it punk, yet here’s a batch of their songs that just might qualify.
Syd Matters’ A Gospel of Some Sort repays careful listening and offers insight into the struggles of alienated individuals.
Clara Mann’s Wishbone posits that even if love isn’t predicated on chance, it doesn’t lose its poetic appeal. That’s why love is poetry: it chooses you.
British folk-rock legend Richard Thompson sneeringly releases another album that reveals the complex nature of the human condition.
Where the folk-pop of Flora Hibberd’s Swirl exudes sophistication, the synth-driven Mammoth is expansive and fantastical. You could be watching a Mummers’ play with Keats and Shelley.
Norway’s “queer country” Embla and the Karidotters deliver high-energy fun performed by a kick-ass, live-show-honed band, anchored by strong songs.
Thirty years after John Prine’s classic Lost Dogs & Mixed Blessings, this is a carefully curated set of demos, alternate takes, and unreleased songs.
Brody Price is unafraid to sit with dark emotions without letting them destroy him or his compositions, because the darkness will transfigure into the light.
Margo Cilker’s Little White Cross succeeds not because it dwells on sadness but because it finds meaning within it. Her gifts as a storyteller give these songs weight.
The Male Pattern’s I Was Shot in the Heart! uniquely chronicles one man’s struggles with heartbreak, money, and drugs on a brilliant concept album.
Rhiannon Giddens summons brilliance and reimagines American folk music in her latest release Hope Is the Thing with Feathers.
In Hope Is a Heavy Thing, Joy Oladokun seamlessly pairs concerns about violence and environmental catastrophe with lamentations of her own flaws.