With a trilogy of striking, multi-genre albums under her belt, a re-release of Jane Weaver's seminal 2014 classic The Silver Globe causes all sorts of reflecting on her own sound, her own legacy, and why she never wants to run a concert from a laptop.
Dedicated to her grandfather and a handful of veterans she met at his funeral, folk artist Abigail Dowd reflects on both the good and the bad that he passed on to her.
Juno-winning Canadian songwriter Dan Mangan's love of his influences and peers has lead him to craft something quite joyous: his list of Five Great Albums From Now-Defunct Bands.
Daniel Romano's "Rhythmic Blood" illuminates the inherent dissonance associated with self-criticism while realizing the hate is simply blather and bunk.
Folk music in 2018 has kept the poignant storytelling elements so intimately knit into its fabric while introducing layers of new sonic and global influences.
A decade in the making, the latest release from indie folk band the National Lights takes up a variety of topics in its lyrics, none of them any less epic than "The Whaleship Essex".
With Banjolectric's So Below, Gregory Mulkern sets out to prove that the instrument is capable of much more than many of us are currently aware of—and, he succeeds.
Tonal shifts between gaiety, eloquence, languor, and fervor occur amidst the lively warmth of American Dreamer's new orchestral folk LP, Go Where You Go.
