
Ruthie Foster Embraces Joy and Life on ‘Just Say Yes’
Ruthie Foster’s new LP succeeds because its optimism is carried by a voice that remains one of the most expressive instruments in contemporary roots music today.

Ruthie Foster’s new LP succeeds because its optimism is carried by a voice that remains one of the most expressive instruments in contemporary roots music today.

Pieta Brown sounds less like someone dreaming of somewhere else than someone who has learned how to stay awake inside the dream.

Strange Light explores many permutations of mostly English and American folk, rock, and pop, laced with modes, rhythms, and philosophies derived from the “East”.

Joan As Police Woman revisits her 2009 debut Real Life with warm, retro-modern arrangements, showcasing her skill as a songwriter and producer.

Irish musician Andy Irvine worked hard to learn the challenging musical vocabulary of Balkan folk music, while his colleagues feared being invited to play the music with him.

Elanor Moss’ The Knife, The Needle shows what the songwriter set out to answer: you can live with contradiction. Indeed, love is a knife and a needle.

These new acoustic renditions on Dark Horses illuminate the solitude, humor, and moral weight that have shaped Corb Lund’s Western storytelling

Eliza Carthy’s “Mr Sitting in the Dark” is a wonderfully observed and lyrical tribute to her father, the songwriter, singer and guitarist Martin Carthy.

It’s a turbulent, often crazy world, but under the Park Hills Circle name, Maris O’Tierney is a warm, engaging respite from the world’s harsh realities.

John Prine’s songwriting blends down-home storytelling, thumbnail portraiture, deep compassion, bitter cynicism, absurdist humor, and offbeat rhymes.

Although How Many Roads isn’t an essential Bob Dylan biography, not all books have to be necessary to be effective and rewarding.

Rob Smith’s Salt Star is a brief, bright light of emotion and musical interplay, highlighting his unique, consistently engaging vision.